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IDFA Forum Award 2024 winners announced
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IDFA Forum Award 2024 winners announced

IDFA Forum Award 2024 winners announced

Industry
Wednesday, November 20
By staff

The IDFA Forum Awards have been announced in Felix Meritis on November 20.

Ibrahim Omar’s project Dry Sky won the IDFA Forum Award for Best Pitch, Lana Y. Daher’s Do You Love Me took home the Forum Award for Best Rough Cut, and the DocLab Forum Award went to Amorphous by a May Abdalla. Presenting a new award for the first time, Looking for the Mermaid by Yara Costa won the Producers Connection Award. Each award includes a cash prize of €1,500.

Do You Love Me will also receive closed captioning and subtitles from inVision Subtitling. Concrete Land by Asmahan Bkerat and The Beauty of Errors by Jukka Kärkkäinen were recognized with Special Mentions for the IDFA Forum Award. The Four Floors of Faneuil Hall by Simon Wood and Meghna Singh was recognized with an Honorable Mention for the DocLab Forum Award.

Forum Pitch Presentation Award

“For an articulation of a subtle cinematic language and a courageous proposal of healing. Told through a unique and critical inside perspective we look forward to a collective endeavor to imagine new futures. It takes a village, said jury members Dorota Lech and Malin Huber about Dry Sky produced by Ibrahim Omar.

Dry Sky

Dry Sky

Ibrahim Omar

The jury additionally recognized Concrete Land by Asmahan Bkerat and The Beauty of Errors by Jukka Kärkkäinen with Special Mentions for the IDFA Forum Award for Best Pitch: “Very special mentions to Concrete Land and The Beauty of Errors for their respective heartfelt films and pitches."

Forum Rough Cut Award

About Do You Love Me, produced by Lana Y. Daher, the jury—consisting of Burcu Melekoglu and Mandisa Zitha—said: “We are delighted to present the Jury Award for the most outstanding film about to be released to the filmmaking team of Do You Love Me. Lana Y. Daher masterfully weaves a delicate and poignant story of a city and its heartbreaking yet resilient history. Through the evocative use of archival materials from Lebanese cinema, she appropriates the visuals of the city from films as a representation of the cyclical history and nature of memories, bringing to life a narrative that is both deeply personal and profoundly universal. The work stands as a testament to the power of memory and art in navigating collective grief and renewal.”

DocLab Forum Award

The IDFA DocLab Forum jury, consisting of Jazia Hammoudi and Liz Rosenthal, said about Amorphous by May Abdalla: “Amorphous is this year’s winner because of its ingenious use of play for a transformational purpose in relation to the crisis in self-image and body dysmorphia. Its messaging is experiential rather than didactic, making it appropriate for all kinds of audiences and demographics. Its design and format present a viable path forward for the immersive field and will appeal to diverse immersive media spaces"

Producers Connection Award

“The world is disappearing before our eyes. That is a strong statement in itself. But the winning project also brings forth the idea that cinema can help preserve dying worlds while at the same time enriching our imagination with new possibilities of being together and of making films. The presentation we witnessed here at Producers Connection has inspired us to award the Producers Connection Award for most creative project with exciting collaborative potential to Looking for the Mermaid by Yara Costa. We hope this incentive will spark interest for the creative collaborations the filmmaker is looking for,” said jury members Bianca Oana and Daan Vermeulen about Looking for the Mermaid by Yara Costa.

About The Four Floors of Faneuil Hall by Simon Wood and Meghna Singh, the jury members said: “The use of space and architecture to ground their story imbues the project with narrative clarity that makes their point crystal clear about the contradiction of democratic society built on legacies of slavery, genocide and colonialism. The project's installation format makes it adaptable to many contexts, which opens up the possibility of future iterations beyond Faneuil Hall itself.”

IDFA Forum is made possible by the Creative Europe Media and Ministry of Education, Culture and Science.

The IDFA Forum Award for Best Rough Cut is supported by inVision Subtitling.

Producers Connection is supported by Eurimages, Council of Europe, and BUMA Music in Motion.

Producers Connection Drinks are hosted by Netherlands Film Fund.

Producers Breakfasts are hosted by Korea Communications Agency and Korea Radio Promotion Association.

Forum Lunches are hosted by Chiledoc, FeverFilm, POSTA Sound for Picture, ZeLIG School for Documentary Television.

IDFA Markets Drinks are hosted by EURODOC.