Training & Funding
IDFA Project Space

IDFA Project Space

IDFA Project Space offers first- or second-time directors the opportunity to work on their project with highly esteemed filmmakers and film professionals who are willing to share their knowledge and experience.


Carefully tailored to filmmakers’ individual needs, this in-depth talent development program offers participants the combined experience of project workshopping and longer-term organic support, all under the guidance of experienced mentors.

In 2023, IDFA Project Space takes place over four months, from June to September, with two online modules and one in-person week in Amsterdam. Filmmakers will have the chance to engage in a continuous process of growth within a program that flexibly adjusts to their specific needs with plenary sessions and tailored consultancies.

The tutors for IDFA Project Space 2023: Editors Ollie Huddleston, Gladys Joujou, Anne Fabini; editor-director Qutaiba Barhamji; producers Gitte Hansen and Bianca Oana, directors Ester Gould and Audrius Stonys. Program alumni have included acclaimed films such as All that Breathes, Apolonia, Apolonia, Children of the Mist, Taming the Garden, and Where Are We Headed.


In 2023, the sixteen selected projects in progress represent a wide geographical spread, including six IDFA Bertha Fund-supported projects. The selection represents filmmaking projects produced in eighteen countries, including Costa Rica, Egypt, Ukraine, Myanmar, Hong Kong, the Netherlands, and more. These include six projects who received IDFA Bertha Fund support in previous stages of development: Light Memories, A Picture to Remember, Ashes Settling in Layers on the Surface, Like a flame lit on a dark night, Morro Grande, and Untitled Project. Three of the filmmakers selected have previously screened a (short) film at IDFA: Carolina Arias Ortiz, Stefan Pavlović, and Benjamin Bucher.

IDFA Project Space is open to directors making their first or second feature documentary. Film school students are not eligible. In line with IDFA’s mission, the focus is on creative documentary projects.

Filmmakers who are selected also have the opportunity to bring a sparring partner: a creative producer or a co-director. Filmmakers who are participating in the Rough Cut section must bring their editor. Participants are expected to have a working knowledge of English and to be available for the full duration of IDFA Project Space.

IDFA’s talent development programs aim at a broad division of creative projects. Some participants will be chosen from project teams that have already received a grant from the IDFA Bertha Fund, which supports filmmakers from Africa, Asia, Eastern Europe, Latin America and the Caribbean, and Oceania.


This is a project-driven program in which participants focus on strengthening the narrative of their documentary film project. Project stages can vary from the late development or early production stage to the advanced editing or rough cut stage.

The online component of the program, which takes place at the beginning and end of summer, consists of two elements: individual or group consultancy with industry experts; an inspirational program that includes online discussions with all participants. This online part of the program will be joined by wider group of filmmakers as well.

During the summer, the in-person part of the program takes place in Amsterdam, where participants are matched with a tutor (an experienced director, producer, or editor) and spend an intensive week together working on their projects. Participants with a project in development or production work on the creative aspects in individual sessions. For participants with a project in the rough cut stage, tutors help refine their rough cut in the editing suite.

Application process

Applications are now closed.

The following information must be included in the entry form:

  • Logline: provide a summary of your story (max. 50 words).
  • Synopsis of max. 400 words. Give an overview of your story, introducing the main characters (If applicable) and potential plot points.
  • Project description of max. 1000 words. This should include background information, main protagonists, access to protagonists, and the anticipated story structure and narrative trajectory. If your project is not character-driven, what is your project’s concept, what are the themes you want to bring across, and how is it constructed?
  • Visual approach of max. 1000 words. This should include your creative vision for the finished project—its visual look and feel. Explain your intended use of cinematic language or any artistic approach that informs the storytelling.
  • Project timeline: a timeline from the project's current state to the anticipated completion date. Your timeline should cover both the creative and production processes. Max. 200 words.
  • Project stage: Explain in detail what progress you will make between the moment of application and the start of the program in June (include important steps, meetings, or changes in the stage of production). This will give us a clear estimation of the suitability of the project and the needs that you will have during the program. Max. 200 words.
  • A detailed biography and filmography of the participant(s) (max. 500 words each).
  • Your goals for attending IDFA Project Space, including what you want to achieve during the program. Please share with honesty the challenges and obstacles you are facing, as well as the specific needs of your project. This can be either a written answer (max. 750 words) or a video (4 to 5 minutes).

If you are submitting a project for the Development & Production section:

  • Original visual material of the project. If available, a teaser or selected research material from the project is recommended if representative of the style. If no audiovisual material is available, photos or a visual presentation can also be presented through a Vimeo or YouTube link. (Between 3 and 20 minutes).
  • Please note that if you are selected, we will ask you to send us a written update on your progress in the time between submission and selection.
  • Previous work of the director (visual material—if available).

If you are submitting a project for the Rough Cut section:

  • An edited sequence of the project or a selection of scenes (approx. 20 minutes).
  • Please note that the rough cut should be ready no later than June. If not, we cannot let you enter the program.
  • Previous work of the director (visual material—if available).


  • Letter of recommendations from experienced film professionals (film directors, producers, official funding bodies, film schools).
  • Still(s) of your project.

The application deadline was February 24, 2023. Next application period will open in early 2024.

If you have questions about the application email

Selection process

In assessing projects, a selection committee consisting of industry experts will consider the project’s qualities, its fit with regards to the program timeline, and the motivation and goals of the participants.

All applications that are complete will be considered for selection. Within four to six weeks, filmmakers will be informed if their project is pre-selected. If a project is pre-selected, we might contact you to conduct an online interview. The results of the selection will be communicated at the end of April.

Projects submitted to IDFA Project Space cannot be withdrawn after selection. From the selected projects, we expect commitment and availability to attend all sessions of the program, both online and in person.

Selected projects pay a participation fee that must be wired to the indicated IDFA account. The participation fee is €850 for one person and €1,250 for two people. This fee does not cover travel and food expenses. For international participants, accommodation is included. For projects supported by the IDFA Bertha Fund, the Fund will pay the fee, hotel costs, and part of the travel costs.

Selection committee 2023

The IDFA Project Space 2023 selection committee included external members such as Rodolfo Castillo-Morales (Producer & Director of Documentary Programming of the Guadalajara Film Festival), Gitte Hansen (Independent Film Consultant),Walter Stokman (Filmmaker), Alexandra Galvis (Producer and Founder of Market Chile in BF Distribution), Lea Glob (Filmmaker), Mohanad Yaqubi (Filmmaker & Producer at Idioms film), Gema Juarez Allen (Producer at Gema Films), and Renko Douze (Producer at Een van de jongens). It also included internal members such as IDFA programmers besides Meike Statema (Head of Talent Development at IDFA) and Isabel Arrate Fernandez (Deputy Director, IDFA & Managing Director, IDFA Bertha Fund).

Program dates

IDFA Project Space online: one week in early June and another week in early September

IDFA Project Space in Amsterdam: July 3 to 8

Recap program in Amsterdam 2023
Announcement selected projects 2023